Reuters and TIMA, a global content service provider, have announced a major new global partnership designed to offer location services including studio facilities and logistical support to broadcasters and online media outlets.
They say: “Reuters-TIMA Location Services combines Reuters unparalleled global editorial content, seen by over a billion people every day, with TIMA’s cutting-edge technology and considerable experience of service delivery for the international media industry.”
The new service, created in response to the increased demand for live content in a shifting media landscape, will form a vast news and editorial network providing every aspect of newsgathering facilities and support services.
It will combine invaluable local knowledge with strategically placed broadcast and satellite resources in regional hubs. The service will launch at the 87th Academy Awards ceremony on 22nd February 2015, where live positions overlooking the red carpet will be provided to clients. …All explained in the video above ↑

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↑ Danielle Bennison-Brown has been appointed Director of Video Content of Condé Nast Britain

In this newly created role, Danielle will be working with the brands to create an exciting schedule of programming for a combination of digital platforms. In addition to her remit for Condé Nast Britain, the role will include input for key Condé Nast International markets.
Wil Harris, Head of Digital who announced the appointment commented “Video content is a key strategic opportunity for Condé Nast, and Danielle will be heading up a dedicated central video team to work alongside our editorial and commercial teams to develop high quality video content. Danielle has enviable creative experience which has delivered proved commercial success, and it’s great news she’s joining us,”
Danielle starts her new role on 12th January was previously Global Head of Video for i-D magazine, now part of Vice, where she launched their video offering which quickly became a significant success.
Danielle added “Condé Nast has long understood the value of creating truly premium editorial. With some of the world’s most respected media brands, Condé Nast is perfectly positioned to make an equally meaningful impact in video. It’s an incredible opportunity and I couldn’t be more excited to join the team.”

Newstag – the Stockholm-based crowd-curated news service – is opening a subsidiary in Cairo, Egypt to handle all its incoming video news content. The six-strong Cairo-based team will be responsible for handling, verifying and tagging stories as they arrive in one central location from all over the world. The multilingual team will operate round-the-clock handling thousands of stories each week from seven continents in as many time zones.
The multinational team is made up of editors from around the world who have chosen to be based in Cairo for their work in journalism and media. They will also provide bespoke production and post-production services in Egypt and the region as a whole.

“Cairo is booming again: Egypt is at the crossroads of East and West and there are so many talented individuals in this city. This megapolis with its tens of millions of inhabitants is a great centre from which to understand the world in a more nuanced way. This is at the heart of Newstag’s philosophy,” says CEO and Founder, Henrik Eklund.
Newstag’s pioneering and innovative approach to sharing news through social media will bring together video news stories from professional content producers around the world, including AP, AFP and Reuters.
The opening of the Cairo bureau follows a $1.3m investment into Newstag from a group of private and institutional investors. In recent months, the company’s rapidly expanded its network of commercial and content partners as it gears up to launch its application.

Film producer Frederick Tschernutter has donated his entire stock footage archives to the global community.
The content has been filmed with RED One and Epic cameras in resolutions up to 5K. The content is released in its RAW format, including the ability to extract millions of single frames for any use.
They say: The content features amazing landscapes, cityscapes, time-lapses, slow-motions and objects that can be used in any commercial or private production. Special credits to his fellow filmmakers Theodoros Nikolaides, Helmut Strasser and Ronan & Richard Saretta that have been involved in shooting this content.
The entire archive can be previewed on YouTube (IRIS32FREE) and than downloaded directly through a link in the description of the content.

• About Frederick Tschernutter: Frederick is a serial entrepreneur who is advocating for a fully digital economy and disruptive concepts in media distribution, lowering the entry barrier for young and independent film makers and media professionals at large.

Reelin’ In The Years Productions and Paradine Productions have announced that RITY is now the exclusive agent for clip sales worldwide for Paradine’s rights to The Sir David Frost Archive.
They say: For over 50 years, Sir David Frost conducted thousands of in-depth interviews with the world’s leading politicians, celebrities, musicians and comedians which were aired by numerous broadcasters around the globe, and Paradine controls the rights to a majority of those productions. Some of the many highlights of this distinguished archive are interviews with world leaders such as Nelson Mandela, The Shah Of Iran, Mikhail Gorbachev, Yitzak Rabin, Benazir Bhutto, Margaret Thatcher, Presidents Ford, Carter, Reagan, Bush, Clinton and nearly 30 hours of the now legendary interviews with President Richard Nixon filmed only two years after he resigned from office. Additionally, there are interviews with personalities such as Clint Eastwood, Muhammad Ali, Jodie Foster, Rock Hudson, Warren Beatty, The Bee Gees, Jane Fonda, John Travolta, Elton John, Bill Gates, Martin Scorsese, Paul McCartney, Sean Penn and a moving 70 minute introspective interview conducted with the late Robin Williams in 1991.
Wilfred Frost, one of Sir David Frost’s three sons said, “I am delighted we are partnering with David Peck and Reelin’ In The Years Productions on clip sales of Dad’s archive. We met and interviewed many potential partners, and David and his team were the perfect fit. There is an extraordinary opportunity here, and I am confident Reelin’ In The Years will help us make the most of it.”